š¤ From Notebooks to Netflix: My Comedy Journey
- Michelle Malizaki
- Oct 29
- 2 min read

Hi! Iām Michelle MaliZaki ā the 17th Wonder of Japan! (At least in my mind. The first 16 are all Hello Kitty.)
When I started stand-up comedy⦠thatās actually when I learned what stand-up comedy was. I didnāt grow up with it. In Japan, we have manzai ā two comedians talking fast and yelling at each other. But one person, standing alone with a microphone, talking about their life? That was new to me.
When I began, everyone kept saying, āYou need a tight five.ā I was like, āWhatās a tight five?ā So I started with a tight three⦠and it was very loose. Eventually I got to a tight five ā and honestly, I still have no idea what Iām doing. But somehow, people laugh, so I keep going.
Then I realized ā doing comedy costs money! Gas, parking, mics, therapy⦠it all adds up. So, I got a job with a Japanese notebook company. Perfect, right? Pens! Paper! Paycheck!I worked for them for five years, then quit to focus on comedy full time.
BUT ā because the universe has a sense of humor ā after quitting that job, I accidentally organized the West Coastās first stationery festival in Los Angeles. Itās called Pen Paper Palooza. What started as a way to pay for jokes turned into an event celebrating my lifelong love for stationery ā and somehow, both worlds collided.
Now I get to make people laugh and celebrate pens. Lifeās weird, but itās also wonderful.
Since then, Iāve performed at The Comedy Store, Laugh Factory, and Improv clubs across the country. I even recorded a set for a Netflix pilot ā something my younger self, sitting quietly in a Japanese classroom, would never have imagined.
Comedy, for me, is about connection. Itās about turning awkward, painful, or just plain weird experiences into laughter. I donāt try to be someone else on stage. Iām just Michelle ā a Japanese-American mom who finds humor in identity, motherhood, and being a little lost (in translation, and in life).
If thereās one thing Iāve learned, itās that laughter builds bridges faster than anything else ā between cultures, generations, and the version of me who was afraid to try⦠and the one who canāt wait for the next mic.
Thank you for following this journey ā from notebooks to Netflix, and every open mic (and stationery festival) in between.Stay tuned, stay weird, and keep laughing.
ā Michelle š©·



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